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- History
- Conference 2019
- Wednesday, 5 June (Morning)
- Wednesday, 5 June (Afternoon)
- Thursday, 6 June (Morning)
- Thursday, 6 June (Afternoon)
- Friday 7 June 2019 (Morning)
- Friday 7 June 2019 (Afternoon)
- Session 1.1 Musical Perception and the Emotional Life of Videogames
- Session 1.2 Music in France
- Session 1.3 Lecture Recitals and Mini-Concerts I
- Session 2.1 Opera: Wagner and After
- Session 2.2 Music and the Visual Arts
- Session 2.3 Film Series I
- Session 3.1 Music and Gender
- Session 3.2 Music Theory and Analysis
- Session 3.3 Lecture Recitals and Mini Concerts II
- Keynote Address: Dylan Robinson
- Graduate Student Round Table
- Session 4.1 Canada
- Session 4.2 European Music in the 17th and 18th Centuries
- Session 4.3 Lecture Recitals and Mini Concerts III
- MusCan/CAML Plenary Session
- Session 5.1 Music and Politics
- Session 5.2 Roundtable: The Work of Beauty in Opera
- Session 5.3 Lecture Recitals and Mini Concerts IV
- Session 6.1 The Second Viennese School
- Session 6.2 Music, Body, Disembodiment
- Session 6.3 Film Series II
- NU:BC Collective Concert
- Session 7.1 Music and Memory
- Session 7.2 Roundtable: Radically Unsound Sounds
- Session 7.3 Film Series III
- Session 8.1 Empirical Perspectives on Music
- Session 8.2 Records and Recordings: History, Interpretation, Analysis
- Session 8.3 Film Series IV.
- SCIM Brown -Bag Lunch Panel, "Decolonization and Action"
- Session 9.1 Music, Radio, and the Moving Image
- Session 9.2 Steve Reich
- Session 9.3 Lecture Recitals and Mini Concerts V
- Session 10.1 Soundscapes
- Session 10.2 Film Series V
- Conference 2018
- Session|séance 9.3. Betty Andrews Hall.
- Session 10.3.
- Session|séance 9.2. Aesthetic Innovations.
- Session|séance 10.2. Social Ecologies of Music, Too.
- Session|séance 9.1. Innovation in the Creative Industries.
- Session|séance 10.1. Social Ecologies of Music.
- Session|séance 8.3.
- Session|séance 8.2. New Ways of Listening.
- Session|séance 8.1. Transformations.
- Session 7.3
- Session|séance 7.2. All About the Notes
- Session 7.1. Music Education
- Session|séance 5.3.
- Session|séance 5.2. Voices Together
- Session|séance 5.1. Sound, Identity, Collectivity
- Session|séance 4.3.
- Session|séance 4.2. All About the Voice
- Session|séance 4.1. 150+1.
- Session|séance 3.3.
- Session|séance 3.2. "The Artist"
- Session|séance 3.1. Performers Take the Stage
- Session|séance 2.3.
- Session|séance 2.2. Deciding What's Correct
- Session|séance 2.1. Writing
- Session|séance 1.2. Crossing Over, Coming Back
- Session|séance 1.3
- Session/séance 1.1. Sound Mapping
- Friday|vendredi 25 May|mai 2018
- Thursday|jeudi 24 May|mai 2018
- Wednesday|mercredi 23 May|mai 2018
- Conference 2017
- Thursday, 25 May (Morning)
- Thursday, 25 May (Afternoon)
- Friday 26 May (Morning)
- Saturday 27 May (Afternoon)
- Session/Séance 8d: MusCan Roundtable Diversity in Canadian Post-Secondary Music Faculties: Voices from the Field
- Session/Séance 8e: MusCan Panel 1 Dramatic Voices
- Session/Séance 8f: MusCan Panel 2 Versions of Orients
- Session/Séance 8g: IASPM Workshop, Belonging Through Drumming in South Sudan
- Session/Séance 8a: IASPM Panel 1 Rethinking Origin Tales in Glam, Folk and Punk Rock
- Session/Séance 8h: CSTM Film Series 3, The Sunjata Story: Glimpse of a Mande Epic (2016)
- Session/Séance 8i: MusCan Mini-Concert, Boundaries and Borders: The Search for Identity
- Session/Séance 8c: IASPM Panel 3 Transnational and Translocal Identities
- Session/Séance 8b: IASPM Panel 2 Rethinking Popular Music Pedagogy: From the Classroom to the Orphanage
- Session/Séance 7h: MusCan Panel 2 Politicized Music: Resistance, Patriotism, Propaganda
- Session/Séance 7g: MusCan Panel 1 Canadian Modern
- Session/Séance 7f: IASPM Panel 3 Cultural Memory, Musical Nostalgia and Belonging in Popular Music
- Session/Séance 7e: IASPM Panel 2 Queer Activism, Alternatives, and Romance
- Session/Séance 7d: IASPM Panel 1 Embodying Identity: Transnational Perspectives on the “Popular” in Music and Dance
- Session/Séance 7c: CSTM Panel 2 Sonic Place-Making at Festivals and Sporting Spectacles
- Friday 26 May (Afternoon)
- Saturday 27 May (Morning)
- Session/Séance 7b: CSTM Panel 1 Pathways and Places, Borders and Bridges: Musical Communities in a Small Canadian City
- Session/Séance 7a: CAML
- Professional Development Session for Graduate Students: The Music CoLab Initiative
- Session/Séance 6h: MusCan Panel 2 Traditional Ethnographies in Contemporary Contexts
- Session/Séance 6g: MusCan Panel 1 Sounding Place & Plurality
- Session/Séance 6f: IASPM Panel 3 New Postcolonial Frameworks: Theorizing Musical Citizenship
- Session/Séance 6e: IASPM Panel 2 Historicizing the 6ix: Hip-Hop Cultures’ Coming of Age in Toronto
- Session/Séance 6d: IASPM Panel 1 Online Listening Techniques
- Session/Séance 6c: CSTM Panel 2 Exploring Musical Identity Through the Study of Gesture and Corporeality
- Session/Séance 6b: CSTM Panel 1 Mediated Belonging in Musical Cultures
- Session/Séance 6a: CAML
- Keynote Plenary 2 / Séance plénière principale 2
- Session/Séance 5l: MusCan Mini-Concert Vocal Works by Oskar Morawetz and John Beckwith
- Session/Séance 5k: CSTM Film Series 2, Doug MacPhee and Cape Breton’s Celtic Piano Style (2016)
- Session/Séance 5j: MusCan Lecture-Recital, Modes of Spontaneity in Non-Idiomatic Improvised Music
- Session/Séance 5i: MusCan Panel 3 Minimalisms
- Session/Séance 5h: MusCan Panel 2 Chinese-Canadian Musical Belonging
- Session/Séance 5g: MusCan Panel 1 Getting Theatrical
- Session/Séance 5f: IASPM Panel 3 Hip-Hop Infrastructures, Identity and Social Change
- Session/Séance 5e: IASPM Panel 2 Ethnographies of Exceptional Dancers and Musicians
- Session/Séance 5d: IASPM Panel 1 Diasporic Identities and Belonging in Canada
- Session/Séance 5c: CSTM Panel 2 Roundtable: Alliance Studies – Practical Applications in Musicologies
- Session/Séance 5b: CSTM Panel 1 Agential Performance and Contentious Belonging in First Nations Activism
- Session/Séance 5a: CAML
- Session/Séance 4j: CSTM Workshop, Hold the Fort: The Importance of Song in the Labour Movement of 1900-1950
- Session/Séance 4i: MusCan Panel 3 Voix-Geste
- Session/Séance 4h: MusCan Panel 2 Hammered (II): Piano, Modernist, Canadian
- Session/Séance 4g: MusCan Panel 1 Harmonic Function
- Session/Séance 4f: IASPM Panel 3 Reimagining Musical Belonging
- Session/Séance4e: IASPM Panel 2 Genre, Belonging and Sociality
- Session/Séance 4d: IASPM Panel 1 Belonging in Music Videos and Movie Soundtracks
- Session/Séance 4c: CSTM Panel 2 Unruly Voices from the Performance Archives
- Session/Séance 4b: CSTM Panel 1 Instruments as Innovators
- Session/Séance 4a: CAML
- Session/Séance 3h: MusCan Panel 2 Breath and Beneficial Practice
- Session/Séance 3g: MusCan Panel 1 4x4 (4tets)
- Session/Séance 3f: IASPM Panel 4 Micro-Timing the Groove: From Tutting to Timbre
- Session/Séance 3e: IASPM Panel 3 Heavier than Metal: Dystopian Worlds, Brazilian Sounds, Québécois to Islam to Girlhood
- Session/Séance 3d: IASPM Panel 2 Historiography: Drums, Dance and Discourse
- Session/Séance3c: IASPM Panel 1 Gender, Aging and Abject-ifying the Canon
- Session/Séance 3b: CSTM Panel 2 The Labour of Innovation and the Work of Class Movement in Folk Revivals
- Session/Séance 3a: CSTM Panel 1 Divergent Sounds of Muslimhood
- Session/Séance 9b: Plenary/Plénière, An Open Book? Open Access and Music Scholarship in Canada.
- Session/Séance 2i: MusCan Roundtable An Irresistible Invitation for Curricular Creativity: Reimagining Music Programs for the 21st Century
- Session/Séance 2h: MusCan Panel 2 Hammered (I): Piano, Classical, Viennese
- Session/Séance 2g: MusCan Panel 1 Canada 150
- Session/Séance 2f: IASPM Panel 4 DJs, Design and the Politics of Intersectional Belonging
- Session/Séance 2e: IASPM Panel 3 Ecomusicology and Environmental Concerns in Popular Musics
- Session/Séance 2d: IASPM Panel 2 Improvising Oeuvres
- Session/Séance 2c: IASPM Panel 1 Recognizing Red: A Tribe Called Red from Three Perspectives
- Session/Séance 2b: CSTM Panel 2 Perspectives on Queer Interventions and the Erotic in Musical Ethnography
- Session/Séance 2a: CSTM Panel 1 Devotional Musicking
- Keynote Plenary 1 / Séance plénière principale 1
- Session/Séance 1a: CSTM Panel 1 Perspectives on Song as Pedagogy and Praxis
- Session/Séance 1b: CSTM Panel 2 Sound Sources for Intercultural Empowerment and Social Justice
- Session/Séance 1c: IASPM Panel 1 From the Hip to the Square: Canadian Celebrations, and Popular Music Nations
- Session/Séance 1d: IASPM Panel 2 Protest, Activism and the Fight for Civil Rights
- Session/Séance 1e: IASPM Panel 3 Juxtaposing Methodologies and Genres: From Metric Analysis to Transfictionality
- Session/Séance 1f: MusCan Panel 1 Form and Analysis
- Session/Séance 1g: MusCan Panel 2a and 2b
- Session/Séance 1h: MusCan Panels 3a and 3b
- Session/Séance 1i: MusCan Mini-Concert
- Session/Séance 1j: CSTM Film Series 1
- Keynote Plenary 3 / Séance plénière principale 3 Performing Protocol
- Session/Séance 9a: CSTM Workshop Virtual Reality, Spatial Sound and New Ethnographic Techniques
- Session/Séance 10: CAML Panel Consortia Models for Music Collections: Dream or Possiblity?
- Conference 2016
- MusCan AGM/AGA 2016
- President’s Welcome / Mot de Bienvenue de la Présidente
- Conference 2016 - Wednesday 1 June / Mercredi le 1 juin
- Conference 2016 - Thursday June 2 / Jeudi le 2 juin
- Conference 2016 - Friday June 3 / Vendredi le 3 juin
- Concerts
- MusCan/CAML Plenary Sessions / Séances plénières
- Session / Séance 1a: Music in Community / La musique dans la communauté
- Session / Séance 1b: Theorizing Mozart / Théorisation sur Mozart
- Session / Séance 1c: Lecture recitals / Récitals commentés
- Session / Séance 2a: The Oriental Gaze / Perspective orientale
- Session / Séance 2b: Music and Pedagogy / Musique et pédagogie
- Session / Séance 2c: Music Theory / Théorie musicale
- Session / Séance 3a: Le goût français
- Session / Séance 3b: Popular Music in French Canada / Musique populaire au Canada français
- Session / Séance 3c: American Music / Musique américaine
- Session / Séance 4a: Energizing Learning Communities in the Music History Classroom / Stimuler les communautés d’apprentissage dans les classes d’histoire de la musique
- Session / Séance 4b: Schubert / Schubert
- Session / Séance 4c: Popular Music / Musique populaire
- Session / Séance 5a: Canadiana I / Canadiana I
- Session / Séance 5b: European Travel / Voyage européen
- Session / Séance 5c: Music and Spirituality / Musique et spiritualité
- Session / Séance 6a: 21st century perspectives on music in the digital domain / Perspectives du 21e siècle sur la musique dans le domaine numérique
- Session / Séance 6b: Canadiana II / Canadiana II
- Session / Séance 6c: Lecture Recitals / Récitals commentés
- Session / Séance 7a. Music and Journalism / Musique et journalisme
- Session / Séance 7b: Jazz and Theory / Jazz et théorie
- Session / Séance 7c: Contemporary Perspectives / Perspectives contemporaines
- Special Events / Événements spéciaux: Networking Music / La musique en réseau
- Session / Séance 8a : French Opera / L’opéra français
- Session / Séance 8b: Music and sociology / Musique et sociologie
- Session / Séance 8c: Theory and the contemporary / La théorie et le contemporain
- Session / Séance 9a: Music and patronage / Musique et mécénat
- Session / Séance 9b: Haydn / Haydn
- Session / Séance 10a: Early Music / Musique ancienne
- Session / Séance 10b: Popular Music and the studio / La musique populaire et le studio
- Session / Séance 10c: Ethnographies / Ethnographies
- CAML / ACBM - Session / Séance 5d: Issues in Librarianship / Questions de bibliothéconomie
- CAML / ACBM - Session / Séance 6d: Music in Canada
- CAML / ACBM - Session / Séance 8d: Archives in Action: Case Studies from Across Canada / Les archives en action : des études de cas faites partout au Canada
- CAML / ACBM - Session / Séance 9d: Digitization and Music Librarianship / La numérisation et la bibliothéconomie de la musique
- CAML / ACBM - Session / Séance 10d: Correspondence & the Community / La correspondance et la collectivité
- Conference 2013
- Call for Scores for Performance
- Call for Papers: SOCAN Foundation/CUMS Awards for Writings on Canadian Music
- Call for Papers: SOCAN Foundation/George Proctor Prize
- Call for Nominations for the SOCAN Foundation/CUMS Award of Excellence for the Advancement of Research in Canadian Music
- Call for Lecture-Recitals and Mini-Concerts (Solo and Ensemble)
- Call for Papers, Sessions and Round Tables
- Call for Compositions: 2013 Student Composer Competition
- Conference 2012
- Call for Scores for Performance (English)
- Call for Papers, Sessions and Round Tables (English)
- Call for Lecture-Recitals and Mini-Concerts (Solo and Ensemble) (English)
- CUMS Student Composer Competition 2012 (English)
- SOCAN Foundation / George Proctor Prize (English)
- SOCAN Foundation / CUMS Awards for Writings on Canadian Music (English)
- Conference 2011
- 2011 Conference
- 2011 Conference Registration Form
- 2011 Conference Program
- General Call for Scores & Canadian League of Composers / CUMS Composition Prize
- Conference: Deadlines
- Call for Papers, SOCAN Foundation / George Proctor Prize
- Call for Papers, SOCAN Foundation / CUMS Awards for Writings on Canadian Music
- Call for Lecture-Recitals and Mini-Concerts (Solo and Ensemble)
- Call for Papers, Sessions and Round Tables
- Conference 2010
- Conference 2009
- Conference Forms
- Intersections
- Intersections Vol. 37, No. 2
- Intersections Vol. 37, No. 1
- Intersections Vol. 36, No. 2
- Intersections Vol. 36, No. 1
- Intersections Vol. 35, No. 2
- Intersections Vol. 35, No. 1
- Intersections Vol. 33, No. 2
- Intersections Vol. 34, No. 1-2
- Intersections Vol. 33, No. 1
- Intersections Vol. 32, No. 1-2
- Intersections Vol. 31, No. 2
- Intersections Vol. 31, No. 1
- Intersections Vol. 30, No. 2
- Intersections Vol. 30, No. 1
- Intersections Vol. 29, No. 2
- Intersections Vol. 29, No. 1
- Intersections Vol. 28, No. 2
- Intersections Vol. 28, No. 1
- Guidelines for Contributors
- Award-Winning Student Papers
- Winning Submission for the 2019 SOCAN Foundation/MusCan Award for Writing in Canadian Music
- Winning Submission for the 2019 SOCAN Foundation/MusCan Award for Writing in Canadian Music (in French)
- Winning Submission for the 2018 SOCAN Foundation/MusCan Award for Writing in Canadian Music
- Winning Submission for the 2018 SOCAN Foundation/MusCan Award for Writing in Canadian Music (in French)
- Winning Submission for the 2017 SOCAN Foundation/MusCan Award for Writing in Canadian Music
- Winning Submission for the 2017 SOCAN Foundation/MusCan Award for Writing in Canadian Music (in French)
- Winning Submission for the 2015 SOCAN Foundation/MusCan Award for Writing in Canadian Music
- Winning Submission for the 2014 SOCAN Foundation/MusCan Award for Writing in Canadian Music (in French)
- Winning Submission for the 2014 SOCAN Foundation/MusCan Award for Writing in Canadian Music
- Winning Submission for the 2013 SOCAN Foundation/CUMS Award for Writing in Canadian Music
- Winning Submission for the 2012 SOCAN Foundation/CUMS Award for Writing in Canadian Music
- Winning Submission for the 2011 SOCAN Foundation/CUMS Award for Writing in Canadian Music
- Winning Submission for the 2016 SOCAN Foundation/MusCan Award for Writing in Canadian Music
- Winning Submission for the 2016 SOCAN Foundation/MusCan Award for Writing in Canadian Music (in French)
- Newsletter
- Spring 2018 Newsletter
- Fall 2017 Newsletter
- Spring 2017 Newsletter
- Fall Newsletter 2016
- Spring Newsletter 2016
- Fall Newsletter 2015
- Spring 2015 Newsletter
- Fall 2014 Newsletter
- Fall 2013
- Spring 2013 Newsletter
- Fall 2012 Newsletter (English)
- Spring 2012 Newsletter (English)
- Fall 2011 Newsletter (English)
- Spring 2011 Newsletter
- Fall 2010 Newsletter
- Spring 2010 Newsletter
- Fall 2009 Newsletter
- Spring 2009 Newsletter
- Fall 2008 Newsletter
- News! Music Events of Interest
- Congress Announcement
- Congress & COVID-19
- Call for applications: CAML Review editorial positions
- Carleton University, M.A. in Music and Culture
- Ramsey Sadaka is the winner of the 2019 STUDENT COMPOSER COMPETITION
- Marie-Pier Leduc is the recipient of the 2019 SOCAN Foundation/George Proctor Prize
- Sarah-Anne Arsenault is the recipient of a 2019 SOCAN Foundation/MusCan Award for Writings on Canadian Music
- Carolyne Sumner is the recipient of a 2019 SOCAN Foundation/MusCan Award for Writings on Canadian Music (in English)
- Mary Ingraham is the recipient of the 2019 SOCAN Foundation/MusCan Award of Excellence for the Advancement of Research in Canadian Music
- Study: Perceived qualities of music
- Call for Review Editor: CAML Review
- Call for Editor: CAML Review
- New Programs: Critical Studies in Improvisation at the University of Guelph
- Martin Desjardins is the recipient of a 2018 SOCAN Foundation/MusCan Award for Writings on Canadian Music
- SOCAN Foundation/MusCan Awards for Writings on Canadian Music
- International Conference on Mixed Music Pedagogy (ICOMMP-2018)
- Adam Roy is the recipient of a 2018 SOCAN Foundation/MusCan Award for Writings on Canadian Music (in English)
- Kyle Hutchinson is the recipient of the 2018 SOCAN Foundation/George Proctor Prize
- Austin Leung is the winner of the 2018 STUDENT COMPOSER COMPETITION.
- Indigenous Improvisation colloquium
- An important reminder: Early registration ends April 30th!
- News: Brian Power appointed Vice-Provost and Associate Vice-President, Academic at Brock University
- Two new issues of Intersections
- Conference Registration is now open!
- GRAMMY MUSEUM® GRANT PROGRAM: 2018 LETTER OF INQUIRY ONLINE
- Joseph Siu is the recipient of the 2017 SOCAN Foundation/George Proctor Prize
- Gabriel Dharmoo is the winner of the 2017 Student Composer Competition
- Laura Trottier is the recipient of a 2017 SOCAN Foundation/MusCan Award for Writings on Canadian Music
- Virginia Georgallas is the recipient of a 2017 SOCAN Foundation/MusCan Award for Writings on Canadian Music (in English)
- Regula Burckhardt Qureshi is the recipient of the 2017 SOCAN Foundation/MusCan Award of Excellence for the Advancement of Research in Canadian Music
- Fonds de bourse Maryvonne-Kendergi pour la musique au Québec
- Study Day : "Bali-Québec"
- Interdisciplinary Perspectives on Music in Canada Research Group Seminar
- An important reminder: Early registration ends April 30th!
- Reminder: SOCAN Foundation/MusCan Awards for Writings on Canadian Music
- Conference Registration Now Open
- MusCan Spring 2017 Newsletter/Bulletin, Printemps 2017 - Call for Submissions/Appel pour annonces
- Helmut Kallmann Award (CAML)
- MUSICultures 43-1
- Annalise Smith is the recipient of the 2016 SOCAN Foundation/George Proctor Prize
- Naithan Bosse is the winner of the 2016 Student Composer Competition
- Paul Bazin is the recipient of a 2016 SOCAN Foundation/MusCan Award for Writings on Canadian Music for his paper entitled: “Serge Garant et le genre mélodique: stylistique d’une première maturité.”
- Jamie Meyers-Riczu is the recipient of a 2016 SOCAN Foundation/MusCan Award for Writings on Canadian Music (in English)
- Gordon E. Smith is the recipient of the 2016 SOCAN Foundation/MusCan Award of Excellence for the Advancement of Research in Canadian Music
- Publication announcement: Analytical Essays on Music by Women Composers
- 1 Masters and 1 Doctoral Scholarship - Université de Montréal Quebec-Bali (1970-2000)
- Publication announcement: Circuit, musiques contemporaines, vol. 26, no. 1 on the music of John Rea
- Reminder: SOCAN Foundation/MusCan Awards for Writings on Canadian Music
- Congress 2016: MusCan
- Chant Colloquium 2016
- MusCan Spring 2016 Newsletter - Call for Submissions
- MUSICultures (42-2)
- Five positions on the MusCan Board of Directors are coming open in June 2016
- Karl Geiringer Scholarship in Brahms Studies
- Canadian New Music Network - Forum 2016 Ottawa
- MusCan Conference - Deadline Extended
- MusCan Newsletter Fall 2015
- MusCan Fall 2015 Newsletter - Call for Submissions
- William Caplin elected Fellow in the Royal Society of Canada
- Two new issues of Intersections!
- 16th Annual Western University Graduate Symposium on Music
- Roydon Tse is the winner of the 2015 Student Composer Competition
- Muriel Smith is the recipient of a 2015 SOCAN Foundation/MusCan Award for Writings on Canadian Music (in English)
- Margaret Elizabeth Fox is the recipient of the 2015 SOCAN Foundation/George Proctor Prize
- Marie-Thérèse Lefebvre is the recipient of the 2015 SOCAN Foundation/MusCan Award of Excellence for the Advancement of Research in Canadian Music
- Book Release. Karen Fournier, The Words and Music of Alanis Morissette
- La Scena Musicale: Invitation to vote - The 10 Greatest Art Songs of all time
- Conference paper resonates with media
- Symposium: John P.L. Roberts, the CBC and music in Canada
- MUSICultures 41-2
- MusCan Conference 2015 - Schedule
- Annual General Meeting 2015 - Agenda
- MusCan conference 2015 - Preliminary Schedule
- News: Offers from the National Arts Centre
- MusCan Newsletter: Deadline extended
- MusCan Spring 2015 Newsletter - Call for Submissions
- 2015 SOCAN Foundation Awards for Young Composers
- Congress 2015: MusCan
- Reminder - SOCAN Foundation/MUSCAN Awards
- Performance and Mentorship Opportunity - Transmission Ensemble
- Deadline Extended: MusCan Conference 2015
- SOCAN Foundation/CUMS Prizes Awarded to John Beckwith, Maria Virginia Acuña, Vanessa Blais-Tremblay, and Erin Sheedy
- Conference Announcement: Gérard Grisey, the spectral moment and its legacy (19-21 October 2014)
- Canadian New Music Network: Forum 2014 Calgary (Jan. 23-26, 2014)
- Prizes Announced at 2013 Annual Meeting in Victoria
- Call for Submission: Wiley Housewright Dissertation Award (Society for American Music)
- Mount Allison Professor Wins AMS Award
- Zoey Mariniello Cochran and Deanna Yerichuk win CUMS-SOCAN Foundation Prizes
- Beverly Diamond Wins CUMS/SOCAN Foundation Award / Beverly Diamond est le vainquer du prix de la fondation SOCAN-SMUC
- Sir Ernest MacMillan Bourse pour la Direction Chorale
- Sir Ernest MacMillan Award for Choral Conducting
- McGill music theorist Prof. William Caplin awarded coveted Killam Fellowship from Canada Council
- Award Announcement 2010: Sir Ernest MacMillan Memorial Foundation
- IPMC 2010 Historiography: Writing about Music in Canada June 2, Regina
- JOB: Schulich School of Music of McGill University
- JOB: OSM & McGill University
- Call for Contributions: Edited Collection on Popular and Folk Music on the Prairies
- Sonic Boom 2010
- JOB: Dalhousie University
- CFA: Howard Mayer Brown Graduate Fellowship
- CUMS Non-Board Position for Advocacy
- CUMS Conference 2010 – University of Regina, Saskatchewan, June 3-6, 2010
- CONF: Traditions in Western Plainchant
- Winners of the George Proctor Prize
- New Digital Audio Arts Degree offered at University of Lethbridge
- Now available: The Musical Tradition of the Eastern European Synagogue Vol. 2
- Meghan Forsyth of Toronto recipient of advanced music study award
- Congratulations to Harald Krebs, FRSC!
- Laurier Archives Travel Award
- Job Postings
- Job: Brandon University - Composition
- Job: Western University, Coordinator of Choral Activities
- Job: University of Victoria, Director of the School of Music
- Job: Dalhousie University - Composition and Music Theory
- Job: Brock University - World Music/Historical Musicology
- Postdoctoral Fellow position: Analysis, creation and teaching of orchestration (ACTOR), McGill University
- Job: University of Saskatchewan - Lecturer in Music Theory
- Job: Conrad Grebel University College - Piano Studio
- Job: University of Victoria - Composition
- Job: MacEwan University - Bass
- Job: MacEwan University - Drums and Percussion
- Job: University of Toronto - Choral Studies and Choral Conducting
- Job: Mount Allison University - Music Education
- Job: University of British Columbia - Music Theory
- Job: McGill University - Research
- Job: University of Manitoba - Piano/Musicianship
- Job: Queen's University - Dan School of Drama and Music
- Job: University of Manitoba - Musicology
- Job: McGill University - Voice
- Job: University of Alberta - Musicology
- Job: Simon Fraser University - Experimental Composition
- Job: Eckhardt-Gramatté Music Library
- Job: University of Regina - Choral Music
- Job: University of Regina - Piano Performance and Theory
- Job: Dalhousie University - Voice
- Job: Université Laval - Jazz Guitar (posted in French only)
- Job: Memorial University of Newfoundland - Collaborative Piano
- Job: University of PEI - Brass
- Job: University of PEI - Piano
- Job: Memorial University of Newfoundland - Jazz Studies
- Job: University of Manitoba - Jazz Drumset
- Job: Université Laval - Musicology (Posted in French only)
- Job: Positions at Mount Allison University
- Job: Mount Allison University - Music Theory
- Job: Mount Saint Vincent University - Dean, Faculty of Arts and Science
- Job: Brandon University - Musicology
- Job: MacEwan University - Recording and Production
- Job: McGill University - Historical Performance Practice and Musicology
- Job: McGill University - Voice (Canada Research Chair Tier 2)
- Job: University of Victoria - Clarinet
- Job: University of Victoria - Wind Symphony Conducting/General
- Job: University of Toronto - Ethnomusicology
- Job: University of Toronto Scarborough - Music Creativity and Technology
- Job: University of Toronto Scarborough - Music and Society
- Job: Memorial University of Newfoundland - Ethnomusicology
- Job: University of Saskatchewan - Musicology
- Job: University of British Columbia - Viola
- Job: McGill University, Head Librarian - Marvin Duchow Music Library
- Job: Brandon University - Musicology or Music Theory
- Job: Mount Allison University - Applied Brass
- Job: Postdoctoral Fellowship positions - Analysis, creation and teaching of orchestration
- Job: Dalhousie University - Musicianship (Limited Term)
- Job: University of British Columbia - Director, School of Music
- Job: Research Assistant - University of Guelph
- Job: McMaster - Instrumental Conducting
- Job: Wilfrid Laurier University - Orchestral Conducting
- Job: York University - Dean, School of the Arts, Media, Performance & Design
- Job: Queen's University - Woodwinds
- Job: Two Postings from Douglas College
- Job: Canadian Mennonite University
- Job: University of Bonn - W2-professorship in Musicology/Sound Studies
- Job: Carleton - Helmut Kallman Chair for Music in Canada
- Job: Dalhousie University - Violin
- Job: University of Alberta - Theory and Aural Skills
- Job: Memorial University - Voice
- Job: University of Manitoba - Dean, Desautels Faculty of Music
- Job: Memorial University - Musicology
- Job: Memorial University - Instrumental Conducting
- Job: Royal Conservatory of Music - History
- Job: Royal Conservatory of Music - Harmony
- Job: University of Toronto - Choral Conducting
- Job: University of Toronto - Musicology
- Job: Quest University Canada
- Job: University of Lethbridge - Wind Orchestra Director
- Job: University of Lethbridge - Piano
- Job: Carleton University - Dean, Faculty of Arts and Social Sciences
- Job. University of Saskatchewan: David L. Kaplan Chair in Music - Strings
- Job: McGill University - Ethnomusicology
- Job: McGill University - Violin
- Job: Douglas College - Music History
- Job: University of Waterloo - Musicology
- Job: Brock University - Music History (Sessional)
- Job: University of Guelph - Popular Music
- Job: McGill University - Position in Organ and Church Music
- Job: McMaster University - Music Education
- Job: Acadia University - Staff Accompanist
- Job: University of Guelph - Dean, College of Arts
- Job: Carleton University - Musicology (Two-year term)
- Job: Mount Allison University - Music Theory (nine-month position)
- Job: Mount Allison University - Music History (nine month position)
- Job: Sibelius Academy - Music Performance Research
- Job: MacEwan University - Jazz and Contemporary Popular Music
- Job: Memorial University - Voice
- Job: Memorial University - Single Reeds
- Job: Simon Fraser University - Assistant Professor in Music Composition
- Job: University of Saskatchewan - Musicology
- Job: Newcastle University
- Job: University of Victoria - Musicology
- Job: Lakehead University - Dean, Faculty of Social Sciences and Humanities
- Job: Clarinet - University of Lethbridge
- Job: Choral - Western University
- Job: University of Toronto - Music Theory
- Job: Director of Choral Activities - University of Alberta, Augustana Campus
- Job: Mount Allison University - Music History
- Job: orchestra@uwaterloo invites applications for the position of Music Director
- Job: University of Saskatchewan - Wind Orchestra, Conducting, and Aural Skills
- Job: University of Lethbridge - Piano
- Job: Mount Royal University - Conservatory Director
- Job: Brandon University - Dean of Music
- Job: McGill University - Position in Voice
- Job: Queen's University - National Scholar: Music Theatre and Opera
- Job: University of Calgary - Music Education
- Job: Dalhousie University - Indigenous Studies
- Job: McGill University - Position in Music Theory
- Job: University of Saskatchewan - Choral/Music Education
- Job: Memorial University - Instrumental Conducting
- Job: Wilfrid Laurier University - Associate Director, Development (Faculty of Music)
- Job: Mount Allison University - String Quartet-in-Residence
- Job: Memorial University - Dean of the School of Music
- Job: Circuit, Musiques Contemporaines (posted in French only)
- Job: University of Victoria - Assistant Professor in Trumpet
- Job: University of Guelph - Musicology
- Job: McGill University - Opera Coaching
- Queen's University - Bader Postdoctoral Fellowships in the Humanities
- Job: University of Lethbridge - Music Theory
- Job: Mount Allison University - Voice
- Job: McGill University - Position in Jazz
- Job: McGill University - Choral Conducting
- Job: McGill University - Sound Recording
- Job: McGill University - Brass
- Job: Queen's University - Music Education
- Job: Concordia University - Dean of Fine Arts
- Job: University of Lethbridge - Audio Programming and Computing
- Job: Dalhousie University - Aboriginal Scholar
- Job: University of Alberta - Popular Music and Media Studies
- Job: University of Alberta - Ethnomusicology
- Job: National Music Centre - Cultural Content and Assets Auditor
- Job: University of Calgary - Voice
- Job: University of British Columbia - Woodwinds
- Job: University of British Columbia - Musicology
- Job: University of Victoria - Assistant Professor in Musicology after 1950
- Job: University of Victoria - Assistant Professor in Flute
- JOB: University of Calgary--Director of the School of Creative and Performing Arts
- JOB: McGill University--Voice
- JOB: McGill University--Violin
- JOB: McGill University--Choral Conducting
- JOB: York University--Canada Research Chair (Tier 2) in Digital Performance
- JOB: Memorial University MMaP--Contractual Position
- JOB: University of Hong Kong--Assistant Professor in Popular Music
- JOB: Western University--Music Education Chair
- JOB: University of Waterloo--Music Theory
- JOB: Brandon University--Music Theory (one-year position)
- JOB: University of Saskatchewan--Music History and Theory
- CUMS Website Redesign: Call for Proposals
- JOB: Canadian Mennonite University--Theory/Composition
- L'offre d'emploi: L'université de Montréal--Poste de professeur(e) en musicologie/sociomusicologie
- JOB: McGill University--Department of Performance Chair
- JOB: University of Toronto--Music Education
- JOB: Western University--Viola
- JOB: University of Alberta--Voice
- JOB: McGill University--Contemporary Music Conducting
- JOB: University of Ottawa--Professor in Voice
- JOB: University of Ottawa--Professor in Violin
- Offre d'emploi: Poste de professeur(e) de violon
- JOB: Western University--Music Theory
- JOB: MacEwan University--Three Positions Specializing in jazz and Contemporary Popular Music
- JOB: McGill University--Violin
- JOB (Updated): University of Waterloo--Global Music
- JOB: University of Waterloo--Choral Music
- JOB: Selkirk College--Contemporary Music (New Deadline)
- JOB: Mount Allison University--Music Education
- OFFRE D'EMPLOI: Poste de professeure ou de professeur en musicologie à l’Université Laval (version corrigée)
- JOB: Dalhousie University--Aural Skills/Choral Conducting, etc.
- JOB: Dalhousie University--Applied Voice
- JOB: Mount Allison University--Music Education and Voice
- JOB: Grant MacEwan University--Head of Vocal Department
- JOB: Grant MacEwan University--Composition/Theory
- Tenure-track Position in Jazz Piano at Laval University
- Poste de professeure ou de professeur en piano jazz à l’Université Laval
- Poste de professeure ou de professeur en éducation musicale à l’Université Laval
- Deux postes en musicologie à l’Université de Montréal
- Deux postes en composition à l’Université de Montréal
- Poste de professeur au rang d'adjoint en chant à l’Université de Montréal
- Voice Position at the Université de Montréal
- JOB: Schulich School of Music (McGill) — Percussion and Contemporary Music Assistant Prof.
- JOB: Music/Vocal Department Head (Humber College)
- JOB: Department of Music Research—Composition Area (U. McGill)
- JOB: Sessional Instructor – Acting Head of Wind Department (Grant MacEwan U.)
- JOB: Full Time Continuing Faculty – Bachelor of Music (Grant MacEwan U.)
- JOB; Lecturer/Assistant Professor, Music (Theory) (Dalhousie U.)
- JOB: Learning Coordinator for Online Music Courses (U. Saskatchewan)
- JOB: Lecturer/Assistant Professor, Musicology (Dalhousie U.)
- JOB: Vice President, Development (Honens International Piano Competition)
- JOB: Lecturer/Assistant Professor, Music (Applied Voice) (Dalhousie U.)
- JOB: Digital Audio Performance (U. Lethbridge)
- JOB: Voice (U. Lethbridge)
- JOB: Music History (U. Lethbridge)
- JOB: Dean, Don Wright Faculty of Music (UWO)
- JOB: Music Theory (U. Toronto)
- JOB: Position in Jazz Performance (U. Toronto)
- JOB: Assistant Professor - Music Education (U. Toronto)
- JOB: Dean, Schulich School of Music (McGill U.)
- JOB: University of Guelph, Assistant Professor
- JOB: York University
- JOB: McGill University
- Offre d'emploi: Musée canadien des civilisations
- JOB: Professor of Music Technology
- Job: Mount Royal University - Conservatory Director
- Job: Conrad Grebel University College - Music Theory
- Job: Audio Engineer/Producer - University of Lethbridge
- Job: Choral Conducting and Music Education - Brock University
- Job: University of Toronto - Percussion
- Call For Papers
- Call for Papers: Approches transdisciplinaires de la création artistique et de l'«esprit entrepreneurial» à l'ère [post]numérique
- CFP: Intonations
- Call for Proposals: 7th International Conference on Narrative Inquiry in Music Education (NIME7)
- CFP: Confounding Expectations 2020 - Music in the Information Age
- CFP: Stravinsky and France, “my second home”: Reception and legacy (1910-2010)
- CFP: Chigiana - Out of Nature. Music between Natural Sources and Acoustic Ecology
- CFP: Music and Culture Graduate Research Symposium - Carleton University
- CFP: Beyond Beethoven, 2020-1770 | Cornell University
- Call for Papers: Temple University Theory, History, and Ethnomusicology Society
- Call for Papers: 2020 McGill Music Graduate Students' Society Symposium
- Call for Papers: University of Toronto Graduate Music Conference
- Call for Contributions: Spatialization, Orchestration, Perception IRCAM Forum Workshop
- CFP: Weimar 20/20
- CFP: International Summit on Gender, Sexuality, and Equity in Grove Music Online
- CFP: University of Toronto Multidisciplinary Creative Conference
- Call for Contributions: Teaching and Learning Difficult Topics in the Music Classroom
- CFP: Gruppo d’analisi e teoria musicale (GATM)
- CFP: 21st Biennial International Conference on Nineteenth-Century Music
- CFP - Malcolm Forsyth: Perspectives and Legacy
- CFP: Musical Activism and Agency: Contestations and Confluences
- CFP: Music and the Visionary - University of Saskatchewan
- CFP: Western University Graduate Symposium on Music
- CFP: The Gothic, the Abject and the Supernatural: 200 Years of Mary Shelley's Frankenstein
- CFP: The Soundtrack: special issue on video game music
- Call for Papers: Study Day - Transnationalism and Transculturalism in Canadian Music, 1969-2019
- CFP: 2019 University of Toronto Graduate Music Conference
- CFP: McGill 2019 Music Graduate Students’ Society Symposium
- CFP: Nota Bene Volume 12 (2019)
- CFP: University of Calgary 2019 Graduate Student Conference
- CFP: THEMUS Graduate Conference
- CFP: Spectralisms, 2nd edition
- CFP: Spectralisms, 2nd edition, Paris, June 13-14, 2019
- CFP Reminder: SOCAN Foundation/MusCan Awards for Writings on Canadian Music
- CFP: University of Toronto Multidisciplinary Creative Conference
- CFP: International Conference on Mixed Music Pedagogy
- CFP: MUSICultures
- CFP: Western University Graduate Symposium on Music
- Call for Papers: SOCAN Foundation / MUSCAN Awards for Writings on Canadian Music
- CFP: Becoming Eleanor Stubley
- CFP: Cahiers de la SQRM (posted in French only)
- CFP: To Each Their Own Pop. Music, Cinema and Television in Europe in the Period of the Youth Movements (1960-1979)
- CFP: Rethinking Music in France during the Baroque Era
- CFP: University of Toronto Graduate Music Conference
- CFP: University of Calgary Graduate Student Conference
- CFP: THEMUS Graduate Conference
- CFP: Colloque Veda Reynolds
- Call for Papers: McGill Music Graduate Symposium (Revised Deadline)
- CFP - Nota Bene: Canadian Undergraduate Journal of Musicology
- CFP: The Social and Cultural Study of Music-Then and Now
- CFP: MUSICultures
- CFP: MUSICultures - Ecologies
- CFP: Western University Graduate Symposium on Music - Extended Deadline
- Cahiers de la SQRM - Appel de propositions/Call
- Call for Proposals | Study Day on intercultural music: Bali-Quebec and Beyond
- CFP: MUSICultures
- CFP: University of Calgary Graduate Student Conference
- CFP: University of Toronto Graduate Student Music Conference
- CFP: Ottawa Graduate Student Music Conference
- CFP: Interdisciplinary Perspectives on Music in Canada 2017 Seminar
- CFP: Generational Frictions in Musical Ethnography of South Asia (MUSICultures)
- CFP: Songs & Singers of Social Protest (MUSICultures)
- CFP: Western University Graduate Symposium on Music
- Intersections : Call for reviews
- CFP: Confluences, Connections, and Correspondences: Music and Visual Culture Conference
- CFP - Ncounters: Ideas and Music (University of Alberta GMSA)
- Call for Papers: PNW Graduate Music Conference 2016
- CFP: Ottawa Graduate Student Music Conference
- CFP: University of Calgary Graduate Music Society
- CFP: Music and Labour (University of Toronto MGSA)
- CFP: McGill Music Graduate Symposium
- Call for Papers: New Research on Old Chants
- CFP: Gender-Performance-Activisim: Transcultural Conversations
- CFP: Seminar on Jacques Rancière and Music
- CFP: Nota Bene: Canadian Undergraduate Journal of Musicology
- CFP: Performing Psychologies: Minding the Remembered Past
- CFP: Western University Graduate Symposium on Music
- CFP: MUSICultures
- CFP: Symposium on Singing and Song
- CFP: (Re-)Covering Musics, Carleton University
- CFP: McGill Music Graduate Symposium - Final Reminder
- CFP: University of Alberta Ncounters Conference
- Call for Papers and Scores: Midwest Graduate Music Consortium
- CFP: The Japanese musician in France and in the USA
- CFP: Confounding Expectations: Musical Intersection
- CFP: McGill Music Graduate Symposium
- CFP: University of Ottawa Graduate Music Colloquium
- CFP: John Roberts and Music in Canada
- CFP: "Exhibiting Music:" The Canadian Society for Traditional Music
- CFP: 25th Annual Pacific Northwest Graduate Music Conference
- CFP: MusCan Conference 2015 [Multiple Calls]
- CFP: North Atlantic Fiddle Convention
- CFP: Fourth Annual Conference of the Historical Keyboard Society of North America
- CFP: Tracking the Creative Process in Music
- CFP: Analytical Approaches to World Music 2014 (London)
- CFP: University of Calgary Graduate Student Conference
- CFP: Musicological Explorations (Deadline: Nov. 30, 2013)
- CFP: Nota Bene Undergraduate Journal of Musicology
- CFP (edited collection): Sound in Canada
- CFP: Transnational Travels of Books and Print Media
- Call for Papers: Nota Bene - Canadian Undergraduate Journal of Musicology
- CFP: North American Victorian Studies Association, Banff 2017
- Intersections : Call for Reviews
- CFP. Golden Silence: Surrealism at 100 and the Place of Music in Its History
- Awards and Honorary Memberships
- Membership - 2015