Wednesday 5 June (Afternoon)
12:30-2pm LUNCH BREAK (on own)
2-4pm SESSION 3
3.1 Music and Gender (Room 116)
Chair: Mary Ingraham (University of Alberta)
Hearing and Seeing the Cross: Gubaidulina’s Religion in Sieben Worte for Cello, Bayan, and Strings
Sasha Drozzina, Louisiana State University
Les femmes dans le répertoire de musique contemporaine du Québec
Ariane Couture, Université Laval
Gender Ambiguity in the Labor of Great Men: The Case of Franz Liszt’s Tasso: Lamento e Trionfo
Jamie Meyers-Riczu, University of Alberta
Women, Here & Now: Ana Sokolovic’s Sirènes and Svadba Wedding
Colleen Renihan, Queen's University
3.2 Music Theory and Analysis (Room 339)
Chair: Alan Dodson, University of British Columbia
Music Theory, Musicology, and Cultural Hermeneutics: Revisiting the Salome Complex from an Analytic Vista
Kyle Hutchinson, University of Toronto
Working with Words: Revisions of Declamation in Fanny Hensel’s “Nacht ist wie ein stilles Meer”
Harald Krebs, University of Victoria
Metrical Dissonance and Hypermeter in Schubert’s Sonata Forms
Hei-Yeung John Lai, University of British Columbia
The Space In-Between: Exploring Harmonic Possibilities Between Diatonicity and Chromaticism
Alexandre Negri, University of British Columbia
3.3 Lecture Recitals and Mini Concerts II (Room 113)
Lecture Recital: Recalling Schubert’s Winterreise: Bernhard Graf von Schwerin’s Wanderlieder
Catherine Laub, University of British Columbia
It Goes Without Saying: A Mini Concert of 21st-Century Clarinet Works by American Composers Nico Muhly and Randal Woolf, and Canadian Florian Hoefner
Christin Carter, Memorial University of Newfoundland
Mini Concert: A Conversation Piece
Rea Beaumont, University of Toronto
4:30-5:30pm KEYNOTE ADDRESS (Roy Barnett Recital Hall) with reception to follow in the lobby (cash bar)
DYLAN ROBINSON (Queen’s University), “éy kws hákw'elestset te s'í:wes te siyolexwálh”
6:30-8:30pm STANDING COMMITTEE OF INSTITUTIONAL MEMBERS (SCIM) MEETING
The Ellis Restaurant – 2204 York Avenue, Vancouver BC, V6K 1C6