CUMS/CAML Programme, Congress 2009 (May 3, 2009)
| THURSDAY, 28 MAY 2009 / JEUDI 28 MAI 2009 | |
| 9:00 am – 5:00 pm | CUMS/SMUC Board Meeting / Réunion du conseil d’administration: Loeb A931 |
| 12:00 pm – 6:00 pm | Welcome and Registration / Accueil et inscription: Fieldhouse |
| 2:00 pm – 5:00 pm | CAML/ACBM Board Meeting / Réunion du conseil d’administration: Loeb A916 |
| 6:15 pm | Opening of the conference / Ouverture du congrès: Deanna Oye, Peter Higham, Bryan Gillingham (Director of School for Studies in Art and Culture), John Osborne (Dean of Faculty of Arts and Social Sciences): Loeb A900 |
| 6:30 pm | Reception / Réception: Loeb A900 Foyer |
| 8:00 pm | Opening concert / Concert d’ouverture: Kailash Mital Theatre |
FRIDAY, 29 MAY 2009 / VENDREDI 29 MAI 2009 | ||||
| 8:30 am – 5:00 pm | Welcome and Registration / Accueil et inscription: Fieldhouse | |||
| 8:45 am – 9:00 am | Conference Welcome / Accueil au congrès: Deanna Oye, Peter Higham, Loeb A900 | |||
| 9:00 am – 10:30 am | MUSIC, PLACE & SOCIETY IN THE 19TH CENTURY Loeb C264 Elaine Keillor, Chair 1. John Lazos 2. Michelle Boyd 3. Kristina Guiguet | CAML/ACBM I (9:00-10:00) Library 102 Resource discovery tools Laura Snyder, Chair Alastair Boyd / Suzanne Meyers Sawa Joseph Hafner
CAML/ACBM (10:00-10:45) IAML 2012 Planning Committee Joseph Hafner, Chair (open to observers) | MESSIAEN AT 100 Loeb A916 François de Médicis, Chair 4. Jean Boivin 5. Philip Gareau 6. Rebecca Simpson-Litke | LECTURE-RECITAL Loeb A900 John Higney, Chair 7. Jesse Stewart, percussion |
| 10:30 am – 11:00 am | Break / Pause: Loeb A900 Foyer | |||
| 11:00 am – 12:30 pm | PLENARY SESSION I: COPYRIGHT ISSUES Loeb C264 Jay Rahn (Moderator), Monica Fazekas, Howard Knopf | |||
| 12:30 pm – 2:00 pm
| Lunch: on your own/ Dîner : à votre choix
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| 2:00 pm – 3:30 pm | FIN-DE-SIECLE FRANCE Loeb A900 Alan Gillmor, Chair 8. François de Médicis 9. Gregory Marion 10. Sarah Gutsche-Miller | CAML/ACBM Tour of Canadian Museum of Civilization | 19TH-CENTURY STYLE ISSUES Loeb A916 Alan Dodson, Chair 11. Mark Richards 12. Edward Jurkowski 13. Ryan McLellan | PIANO LAB AT UNIVERSITY OF OTTAWA Pérez Hall Performance: 14. Elaine Keillor (piano) Papers: 15. Milton Schlosser 16a. Gilles Comeau, Flora Nesrallah, Isabelle Cossette 16b. Gilles Comeau Tour of the Piano Lab |
| 3:30 pm – 4:00 pm | Break / Pause: Loeb A900 Foyer | |||
| 4:00 pm – 5:30 pm | AESTHETICS Loeb A916 Murray Dineen, Chair 17. David Cecchetto 18. Michael Szekely 19. Michael Morse | CAML/ABCM Tour of Library and Archives Canada/Presentation on the Recorded Sound Collection (to 6:30 pm) | THEORY Loeb A900 Harald Krebs, Chair 20. Stephanie Lind 21. Jason Yust 22. Roxane Prévost | |
| 5:30 pm | CUMS/SMUC Standing Committee of Institutional Members / Comité des Universités members Mike’s Place, University Centre | |||
| 7:30 pm | Concert: A Celebration of Canadian Music / Une célébration de la musique canadienne : Kailash Mital Theatre Reception / Réception: Loeb Wine Bar | |||
SATURDAY, 30 MAI 2009 / SAMEDI 30 MAI 2009 | |||||
| 8:30 am – 5:00 pm | Welcome and Registration / Accueil et inscription: Fieldhouse to 12:30 p.m., afterwards: Loeb A900 Foyer | ||||
| 9:00 am – 10:00 am
| FOLK MUSIC RESEARCH Loeb A602 Beverley Diamond, Chair 23. Flavia Gervasi 24. Monique Giroux | CAML/ABCM Loeb C264 Members’ Research Joan McGorman, Chair Jan Guise Peter Higham | CONTROVERSY Loeb A916 Bryan Gillingham, Chair 25. Alexia Jensen 26. John Higney | MINI-CONCERT Loeb A900 Deanna Oye, Chair | |
| 10:00 am – 10:15 am | Break / Pause: Loeb A900 Foyer | ||||
| 10:15 am – 11:15 am | FIRST NATIONS IN CAN. ART MUSIC Loeb A602 Anna Hoefnagels, Chair 28. Mary Ingraham 29. Dylan Robinson | CAML/ABCM (10:15-11:00) Loeb C264 Cataloguing with RDA Daniel Paradis | FILM MUSIC Loeb A916 James Deaville, Chair 30. Eric Hung 31. Alexis Luko | LECTURE-RECITAL Loeb A900 Jerome Summers, Chair 32. Rebecca Danard, clarinet | |
| 11:15 am – 11:30 am | Break / Pause: Loeb A900 Foyer | ||||
| 11:30 am – 12:30 pm | CANADIAN CULTURAL INSTITUTIONS Sam Cronk, Chair Loeb A602 33. Beverley Diamond 34. Ellen MacIsaac | CAML/ABCM (11:00-12:00) Loeb C264 Information Literacy Debra Ann Begg, Chair Brian McMillan Laura Snyder CAML/ACBM (12:00-12:45) Cataloguing Committee Daniel Paradis, Chair (open to observers) | JAZZ STUDIES Loeb A916 Jesse Stewart, Chair 35. Tony Dunn 36. James McGowan | LECTURE-RECITAL Loeb A900 Mary Ingraham, Chair 37. Lorna McDonald (soprano) & Che Anne Loewen (piano)
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| 12:30 pm – 2:00 pm | Break / Pause: Loeb A900 Foyer | ||||
| 2:00 pm – 3:30 pm | PLENARY SESSION II: KEYNOTE ADDRESS Mark Miller A Digressive Review of 35 Years in Jazz Journalism Loeb C264 | ||||
| 3:30 pm – 4:00 pm | Break / Pause: Loeb A900 Foyer | ||||
| 4:00 pm – 5:30 pm | MUSICOLOGY, PERFORMANCE, SLAVERY Loeb A916 James Deaville, Chair 38. Dillon Parmer 39. James Wright 40.Christopher Moore | CAML/ABCM Loeb C264 Eletronic Delivery of Music Resources Lucinda Walls, Chair Richard Belford Jared Wiercinski / James Mason | CONSTRUCTING RACE Loeb A602 Danick Trottier, Chair 41. Marie-Hélène Benoit-Otis 42. Adalyat Issiyeva 43. Marie-Noëlle Lavoie | MINI-CONCERT Loeb A900 Chair TBA 44. Jane Leibel (soprano) & Maureen Volk (piano) | |
| 5:30 pm | CUMS/SMUC Annual General Meeting / Assemblée générale annuelle: Loeb A900 | ||||
| 7:00 pm | Banquet CUMS/SMUC – CAML/ACBM: Malone’s (Dows Lake)
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SUNDAY, 31 MAY 2009 / DIMANCHE 31 MAI 2009 | |||||
| 8:30 am – 12:00 pm | Registration / Inscription: Loeb A900 Foyer | ||||
| 9:00 am – 10:30 am
| MUSIC JOURNALISM Loeb A900 Kristina Guiguet, Chair 45. Claudine Caron 46. Michel Duchesneau 47. Justine Comtois | CAML/ACBM Annual General Meeting / Assemblée générale annuelle (9:00 am to 11:00 am) Loeb C264 CAML/ACBM (11:30 am to 12:30 pm) CAML Board meeting | ANALYZING THE 19TH CENT. Loeb A916 James Wright, Chair 48. Harald Krebs 49. Jon-Thomas Godin 50. Alan Dodson | ||
| 10:30 am – 11:00 am | Break / Pause: Loeb A900 Foyer | Loeb A931 | Break / Pause: Loeb A900 Foyer | ||
| 11:00 am – 12:30 pm | 20th- CENTURY LEGACIES Loeb A900 Ed Jurkowski, Chair 51. Austin Clarkson 52. Danick Trottier 53. Evelyne Lavoie | MUSICAL STAGE Loeb C264 Susan Blyth-Schofield, Chair 54. Antonio Giamberardino 55. Dan Sheridan | ANALYSIS OF POP. MUSIC Loeb A916 Will Echard, Chair 58. Lori Burns, Tamar Dubuc & Marc LaFrance 59. Dave Rowat | ||
| “ABSOLUTE” MUSIC Catrina Flint, Chair 56. Andrew Deruchie 57. Robert Rival | |||||
| 12:30 pm – 1:00 pm |
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| 1:00 pm – 2:00 pm | CUMS/SMUC Board Meeting / Réunion du conseil d’administration: Loeb A931 | ||||
CUMS/SMUC PRESENTATIONS
I. Music, Place and Society in the 19th Century
| 1. | John G. Lazos (Montréal) | Bishop Colina’s Musical Legacy in the Archives of San Cristobal de la Casas, Chiapas, Mexico |
| 2. | Michelle Boyd | The Music Book of Miss Havilah Thorne: Music, Identity and Trans-Atlantic Culture in Nineteenth-Century Rural Nova Scotia |
| 3. | Kristina Guiguet | Music as a Discourse of Power: A Conservative Musical Soundscape in Britain (1835-41) |
| 4. | Jean Boivin (Sherbrooke) | In Search of an Objective Evaluation of Messiaen’s Theocritical Writings: The Reception of Traité de rhythme de couleur et de ornithologie |
| 5. | Philip Gareau (Montréal) | Olivier Messiaen et le “temps relatif”: Quand la musique s’inspire de la théorie de la relativité |
| 6. | Rebecca Simpson-Litke (UBC) | Using Modal Relationships to Create and Analytical Narrative for Olivier Messiaen’s “Action de graces” from Poème pour Mi (soprano and piano) |
| 7. | Jesse Stewart (Carleton) | The Canadian Remix Project (for turntable, sampler, and drum set) |
IV. Fin-de-Siècle “Movements” in France
| 8. | François de Médicis (Montréal) | The Premiere of Debussy's String Quartet at the Société Nationale de Musique (1893): Style and Political Stakes |
| 9. | Gregory Marion | Projects and Projections: Debussy in the Ballet |
| 10. | Sarah Gutsche-Miller (McGill) | Popular, Up-to-Date Spectacles: Ballet in Fin-de-Siècle Parisian Music-Halls |
| 11. | Mark Richards | Beethoven’s Oratorio Christus am Ölberge as an Incomplete Conception of the Heroic Style |
| 12. | Ed Jurkowski | Berlioz the Classicist: The Role of Eighteenth-Century Instrumental Music Upon the Composer’s Melodic Style |
| 13. | Ryan McLelland | Brahms oder Dietrich? An Analytic Perspective on the Piano Trio in A Major |
VI. Piano Lab at University of Ottawa: Tour, Papers, Performance
| 14. | Elaine Keillor | Performance |
| 15. | Milton Schlosser (Alberta) | Minding the Music: Neuroscience, video-recording, and the pianist |
| 16a. | Flora Nesrallah (Ottawa), Isabelle Cossette (Ottawa), Gilles Comeau (McGill) | Breathing Patterns of Novice, Advanced and Professional Pianists While Executing Four Performing Tasks |
| 16b. | Gilles Comeau (Ottawa) | Piano Method Books and the Introduction of Musical Notation: Surveying the Field and Using Eye-Tracking Technology to Examine Some Aspects of Presentation |
| 17. | David Cecchetto (Victoria) | Music and Catachresis: Lachenmann’s …zwei Gefühle… in the Theatre of Judith Butler |
| 18. | Michael Szekely (Temple) | On a Spade Reddened in the Fire: Surrealism, Philosophy, and Improvised Jazz |
| 19. | Michael Morse (Trent) | Cinderella at the Corner of Broadway and 52nd St. – Some Aristoxenian Notes on the Sociology of Contemporary Harmony |
Plenary Session I (with CAML): Copyright Issues
Jay Rahn, Moderator (York University)
Monica Fazekas (University of Western Ontario)
Howard Knopf (Macera & Jarzyna, LLP, Ottawa)
VIII. New Approaches in Theory/Analysis
| 20. | Stephanie Lind (Queen’s) | Jacques Hétu’s Style Composite: Crafting Atonality through Modal Superimposition |
| 21. | Jason Yust (Alabama) | Counterpoint and Sequence in Schenkerian Theory |
| 22. | Roxane Prévost (Ottawa) | Metrical Disruptions in Kelly Marie Murphy’s “Give Me Phoenix Wings to Fly” |
IX. Folk Music Research: Issues and Findings
| 23. | Flavia Gervasi (Montréal) | Voix de la tradition au sud de l’Italie : les enjeux identitaires cachés derrière les paramètres sonores |
| 24. | Monique Giroux (York) | Crossing Borders: Researching Fiddle Music in Canada |
| 25. | Alexia Jensen (Montréal) | La querelle Kreutzer/Lesueur (Paris, 1809) : les enjeux d’un débat opératique entre frères ennemis |
| 26. | John Higney (Carleton) | The Foundation to Assist Canadian Talent on Recordings (FACTOR): Reconciling Culture and Commerce in Canada’s Music Industry |
| 27. | Cheryl Pauls (Canadian Mennonite U) | Celebrate Carter |
XII. First Nations Peoples in Canadian Art Music
| 28. | Mary Ingraham (Alberta) | Are We There Yet? Enroute to First Nations Musical Citizenship in Canadian Opera |
| 29. | Dylan Robinson (Victoria) | The Exscription of First Nations Voices in Canadian Art Music |
| 30. | Eric Hung (Westminster Choir College) | The Meaning of “World Music” in Firefly |
| 31. | Alexis Luko (Rochester) | Ingmar Bergman’s Musicians |
| 32. | Rebecca Danard (Cincinnati) | Etudes in Extended Techniques: Twelve Newly-Commissioned Canadian Works for Solo Clarinet |
XV. Canadian Cultural Institutions and Their Policies
| 33. | Beverley Diamond (Memorial) | Regionalism Revisited: Canadian Institutions and the Patterning of Support for Different “Musical Worlds” |
| 34. | Ellen MacIsaac (unaffiliated) | Ethics and Music Research: An Examination of Current and Federal Policies |
XVI. New Perspectives on Jazz Theory and Analysis
| 35. | Tony Dunn (Ottawa) | Negotiating Changing Metric Structures: Metrical Dissonance and Metrical Attention in a Jazz Performance |
| 36. | James McGowan (Laurentian) | Psychoacoustic Foundations of Contextual Harmonic Stability in Jazz Piano Voicings |
| 37. | Lorna McDonald & Che Anne Loewen (Toronto) | Lois Marshall in Russia |
Plenary Session II (with CAML): Keynote Address: A Digressive Review of 35 Years in Jazz Journalism
Mark Miller
XVIII. Musicology, Performance, Slavery
| 38. | Dillon Parmer (Ottawa) | Who Rules the Rulers? The Politics of Musical Understanding |
| 39. | James Wright (Carleton) | Glenn Gould's Conception of Performance as Slavery |
| 40. | Christopher Moore (Ottawa) | Hermeneutics and the Drastic Moment |
XIX. Constructing Race Through Music
| 41. | Marie-Hélène Benoit-Otis (Montréal) | Anéantissement, assimilation ou naufrage? A propos de la traduction du Judaïsme dans la musique de Richard Wagner |
| 42. | Adalyat Issiyeva (McGill) | Cabinet or Resuscitated Orient? Russian Fin-de-Siècle Sources on Asian Music |
| 43. | Marie-Noëlle Lavoie (Montréal) | Des “Rolls-Royce de la musique de danse” au “lyrisme des races persécutés” : (Re)considérations sur les emprunts jazzistiques chez Milhaud |
| 44. | Jane Leibel & Maureen Volk (Memorial ) | Mini-Concert: In the Key of Cs: A Birthday Celebration for Clifford Crawley |
| 45. | Claudine Caron (Montréal) | Le Nigog (1918): Advocating for Modern Canadian Music |
| 46. | Michel Duchesneau (Montréal) | La Revue Musicale (1920-1940) : médiation et strategies esthétiques |
| 47. | Justine Comtois (Montréal) | La Revue Musicale de Henri Prunières et la jeune École Italienne |
XXII. Analysing the 19th Century
| 48. | Harald Krebs (Victoria) | A Poet and a Composer Discuss Rhythm: The Schiller-Körner Correspondence |
| 49. | Jon-Thomas Godin (Montréal) | L’emploi des marqeurs formels dans les sonates de Schubert |
| 50. | Alan Dodson (UBC) | Phrase Rhythm and Performance in Three Chopin Preludes |
| 51. | Austin Clarkson (York) | Edgard Varèse, Stefan Wolpe and the Legacy Ferruccio Busoni |
| 52. | Danick Trottier (Harvard) | Remembering Stravinsky: Berio and Boulez’s Contrasting Views |
| 53. | Evelyne Lavoie (Memorial) | Entre myth et réalité : Claude Vivier, “héro national”? |
XXIV. Performing Identity on the Musical Stage
| 54. | Antonio Giamberardino (Carleton) | You Will Remember Vienna: “Schmaltz” and Orientalism in Léhar’s Das Land des Lächelns |
| 55. | Dan Sheridan (Carleton) | Consecrating the Wound: Parsifal, Grand Opera and the Embodied Nation |
XXV. Identifying Meanings in “Absolute” Music
| 56. | Andrew Deruchie (McGill) | The “Tristesse” of Chausson’s Symphony |
| 57. | Robert Rival (Toronto) | The Comfort of Denial: Metre, Cyclic Form, and Narrative in Shostakovich’s Seventh String Quartet |
| 58. | Lori Burns, Tamar Dubuc & Marc LaFrance (Ottawa) | Embodied Intersubjectivities in Time and Space: Visual and Musical Narratives in Mandy Moore’s Cover of Rihanna’s “Umbrella” |
| 59. | David Rowat (Ottawa) | Vocal Production and Analytic Contexts in Extreme Metal Music |
CAML Sessions
1a. Resource discovery tools and catalogue interfaces
- Alastair Boyd, Suzanne Meyers Sawa (Toronto): Endeca
- Joseph Hafner (McGill): planning for resource discovery
1b. IAML 2012 Planning Committee (open to observers)
- Joseph Hafner, Chair
2. Tour of Canadian Museum of Civilization
3. Tour of Library and Archives Canada/Presentation on the Recorded Sound Collection
4. Members’ research projects
- Jan Guise (Manitoba): Weeding and collection development
- Peter Higham (Mount Allison): Five Cent music
5. Cataloguing
- Using RDA to catalogue: Daniel Paradis (UQAM)
- Teaching students about RDA: Cheryl Martin (Western Ontario)
6a. Information literacy
- Brian McMillan (McGill)
- Laura Snyder (Alberta)
6b. Cataloguing Committee: Meeting (open to observers)
7. Electronic delivery of music resources
- Richard Belford (Saskatchewan)
- Jared Wiercinski (McGill) and James Mason (Toronto)
Canadian Federation for the Humanities and Social Sciences (Congress 2009) runs from May 23 through May 31, 2009.