Dear colleagues,

Intersections: Canadian Journal of Music seeks contributors for French or English language book reviews. There are currently a number of titles awaiting review, and we have listed a few below for inclusion in forthcoming issues of the journal. Please feel free to respond to us This email address is being protected from spambots. You need JavaScript enabled to view it. or This email address is being protected from spambots. You need JavaScript enabled to view it. with an expression of interest in reviewing one of the titles. The Reviews Editors also welcome suggestions for reviews of recent books in musicology, ethnomusicology, theory, and performance studies.

Yours,

Ariane Couture, Reviews Editor (French)
Jeremy Strachan, Reviews Editor (English)
Intersections: Canadian Journal of Music

  • Andrews, Gavin, Paul Kingsbury and Robin Kearns, eds. Soundscapes of Wellbeing in Popular Music. Burlington VT: Ashgate, 2014.
  • Brennink, Albert. The Alternative Music Notation. Münster: Edition Chroma, 2016.
  • Canguilhem, P., dir. (2013). Chanter sur le livre à la Renaissance : Les traités de contrepoint de Vicente Lusitano. Coll. « Épitome musical ». Turhnout, Belgique, Bepols.
  • Cheng, William. Just Vibrations: the Purpose of Sounding Good. Ann Arbor: University of Michigan Press, 2016.
  • Eidsheim, Nina Sun. Sensing Sound: Singing and Listening as Vibrational Practice. Durham NC: Duke University Press, 2015.
  • Hodgson, Jay and Steve McLeod. Representing Sound: Notes on the Ontology of Recorded Music. Waterloo: Wilfrid Laurier University Press, 2014. (ebook)
  • Magowan, Fiona & Louise Wrazen, eds. Performing Gender, Place, and Emotion in Music: Global Perspectives. Rochester: University of Rochester Press, 2013.
  • McAdam, S. (2015). Perception et cognition de la musique. Paris, Vrin.
  • Münch, M.-M., Ed. (2015). Forme et réception : Rencontres interartistiques de l'Effet de vie. Paris, Honoré Champion.
  • Toudoire-Surlapierre, F. and P. Lécroart, dir. (2015). Marges de l'opéra : Musique de scène, musique de film et musique radiophonique 1920-1950. Paris, Vrin.

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