TUESDAY, MAY 31st

Opening Remarks: 9:00 – 9:30am (HDH Auditorium)

Session Details

Concurrent Session 1: 9:45 – 11:00am (ADT)

1A Lecture-Recitals: Exploring New Repertoire (HDH Auditorium) 

Session Chair: Paula Rockwell

Contemporary Compositions and their Power to Give a “Voice” to Marginalized Peoples (online)

Amy Hillis
York University

Trombone, She Wrote: Music by Canadian Women Composers (in-person)

Dale Sorensen
University of Prince Edward Island

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1B Paper Session: Récherche-création (HDH 234)

Session Chair: Ariane Couture

Pourquoi et comment analyser objectivement la recherche et la creation au sein d’un projet de recherce-création? (online)

Sophie Stévance et Serge Lacasse
Université Laval

Écrire une chanson avec des jeunes.  Incursion réflexive au sein d’un processus de co-création. (in-person)

Sarah-Anne Arsenault
Université Laval

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Coffee Break: 11:00 – 11:30am

Concurrent Session 2: 11:30am – 12:30pm

2A: Performing in the Pandemic (HDH 226)

Session Chair: Ellen Waterman

Making a Musical in the Age of Covid-19 (online)

Annalise Smith
Memorial University

Orchestral Music in a (Post)Pandemic World: Opportunities and Challenges of a Hybrid Model (online)

Cintia Cristia – Toronto Metropolitan University
Geneviève Cimon – National Arts Centre

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2B: 18th– Century Aesthetics (HDH 234)

Session Chair: Jamie Meyers-Riczu

Johann Jakob Engel and Musical Representation: Beyond Musical Mimesis (online)

Morteza Abendinifard
Douglas College

Sonic Surfaces: Musical Character and Stylistic Materialism in the Eighteenth Century (in-person)

Virginia Georgallas
University of California – Berkeley

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Lunch Break: 12:30pm – 2:00pm

Concurrent Session 3: 2:00 – 4:00pm

3A: Indigenous Musics (HDH 226)

Session Chair: Stephanie Lind

The Inuit Voice in Moravian Music (virtual)

Tom Gordon
Memorial University

Analyser le katajjaq aujourd’hui: Une démarche de recherche-création pour participer à la décolonisation des savoirs (in person)

Pierrick Lefranc
OICRM – Laval

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3C: Piano Pedagogies (HDH 226)

Session Chair: Stephanie Lind

L’école pianistique de Montréal (1900-1950) : Du « Happy Entertainment » jusqu’à l’« art du jeu du piano ». (online)

Nataliia Avramova
Université de Montréal

The Piano Pedagogy of Marie Jaëll (1846-1925): a holistic and interdisciplinary approach (online)

Carmen Letourneau
University of Lethbridge

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3B: Compositional Origins (HDH 234)

Session Chair: Jeremy Strachan

Analytical Approaches to Mixed Music: Norma Beecroft’s Collage ’76 (online)

Jade Roth
McGill University

The Four Seasons of The Four Sections: A Glimpse into the Compositional Journey of Steve Reich’s 1987 Orchestral Work (online)

Twila Bakker
Independent Scholar

Barbara Pentland’s Composition News (1970) in a Current Context (online)

Rea Beaumont
University of Toronto

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Break: 4:00 – 4:30pm

Special Session: 4:30 – 6:00pm

(HDH 234)

The Resonance Project Part One: Envoicing Marginalized Genders and Sexualities (online)

Session Chair: Margaret Walker

Ellen Waterman – Carleton University
Gale Franklin – Carleton University
Meg LaRose – Carleton University

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Welcome Reception: 6:30 – 8:30pm