WEDNESDAY, JUNE 1st
Coffee Break: 11:00 – 11:30am
Concurrent Session 4: 11:30am – 12:30pm
4A: The Politics of Online (HDH 226)
Session Chair: Roxane Prevost
Ordinary Politics: Musicking Political Worldview(s) in Online Spaces (online)
Kip Pegley
Queen’s University
and
Rebecca Draisey-Collishaw
Independent
Les concerts virtuels de la pandémie au regard de la démocratisation (in-person)
Ariane Couture
Université de Sherbrooke
4B: Sonata Forms (HDH 234)
Session Chair: Jon-Tomas Godin
Beethoven’s New Path? Modulation in Expanded Main Themes in his Piano Sonata, Opus 31 no. 1, and Violin Sonata, Opus 47 (online)
James Mackay
Loyola University New Orleans
The EEC Complex in Sonata Forms (in-person)
Matthew Poon
University of Toronto
Lunch Break 12:30 – 2:00pm
Concurrent Session 5: 2:00 – 4:00pm
Session 5A: Politics & Patriotisms (HDH 226)
Session Chair: Claire Mallin
Les Scènes alsaciennes de Jules Massenet: Un vecteur du discours revanchard dans la presse française (in-person)
Kamille Gagné
Université de Montréal
Politics and Pastoral Fantasies in the Modern Alphorn Community (in-person)
Maureen Kelly
University of Ottawa
5B: 20th-Century Music (HDH 234)
Session Chair: Sasha Drozzina
Pitch Organization in the “Danse Infernale”: New Considerations in the Debate between Octatonicism and Scalar Pluralism in Stravinsky’s Firebird (online)
Noémie Giasson
Université de Montréal
Stravinsky’s “Proto” Jazz Cocktails (1918-1924) (online)
François de Medicis
Université de Montréal
Crossing Over: Musical Ideograms in Luigi Dallapiccola’s Cinque Canti (online)
Joe Argentino
Memorial University of Newfoundland
5C: Feminist Perspectives (HDH 226)
Session Chair: Kip Pegley
Walking Together in Faith: Afro-Colombian Internally Displaced Women Singers and the Politics of Spirituality, Healing, and Mutual Care (online)
Melba Villamizar Rodriguez
Independent
Germaine Tailleferre’s Double Blinds: The Case of Marchand D’Oiseaux (in-person)
Christopher Moore
University of Ottawa